Published papyri are routinely conserved between sheets of glass, taped at the edges, but glass was never going to work for a ten-foot monster like 3804-5. The solution turned out to be perspex, which flexes although, unfortunately, it also scratches very easily. Revel Coles recalls that the long perspex sheets were tricky to get hold of, and cost almost £100, a lot of money at the time. Ever since publication, the perspex-encased papyrus has gathered dust on the central table in the papyrology workroom.
Even with our excellent new camera stand vibration-free, and tall enough to serve as a gallows a papyrus over ten feet long was always going to be tricky. Before the papyrus could even be moved, the twenty-year-old tape that held the perspex frame together had to be replaced: